- 4.6K Super 35 HDR CMOS Sensor
- 4.6K up to 120 fps, 300 fps at 1080p
- 15 Stops of Dynamic Range at 3200 ISO
- USB-C Expansion Port for External Disks
- CinemaDNG and ProRes 444 & 422 Recording
- Dual CFast 2.0 and SD Memory Card Slots
- 12G-SDI Output, Timecode and REF Input
- 2 XLR Audio Inputs with Phantom Power
- 2-/4-/6-Stop ND Filter, Magnesium Body
- Interchangeable Lens Mount
- Blackmagic URSA Mini Pro 4.6K G2
Blackmagic URSA Mini Pro 4.6K G2
Next generation URSA Mini Pro with Super 35 4.6K HDR image sensor, 15 stops of dynamic range and high frame rate shooting up to 300 fps!
URSA Mini Pro 4.6K G2, is a professional digital film camera that combines incredible 4.6K image quality with the features and controls of a traditional broadcast camera! The second generation URSA Mini Pro features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor that combine to give you much higher frame rate shooting. You also get built in ND filters, an interchangeable lens mount, Blackmagic RAW support, and both dual CFast and SD UHS‑II card recorders for capturing images at up to 300 frames per second! There’s even a USB‑C expansion port that lets you record directly to flash drives or SSD disks for even longer recording times! URSA Mini Pro 4.6K G2 features a massive number of controls intuitively positioned on the side of the camera so you can adjust most settings by feel, without ever having to take your eyes off the action. URSA Mini Pro is lightweight and comfortable enough to use all day, has controls that are extremely fast to use, and image quality that’s far superior to broadcast cameras costing ten times more!
The perfect camera for digital film, broadcast, live production and more!
URSA Mini Pro cameras are “three cameras in one” because they combine high end digital film quality with the features and controls broadcasters need. They’re ideal for any kind of work from high end feature films, television shows and commercials, to independent films, broadcast news, and even studio and live production! URSA Mini Pro cameras go beyond standard Ultra HD broadcast quality because they give you 4.6K resolution with 15 stops of dynamic range. Plus, the super wide color gamut and Blackmagic Design Generation 4 color science give you incredibly accurate skin tones and stunning, lifelike color so you always capture cinematic quality images. The super compact body features broadcast camera controls and advanced operating software that make it faster to set up and use than any other camera! Whether you’re on set, on location or shooting run and gun, URSA Mini Pro has the image quality and features you need to work on any type of project!
URSA Mini Pro is designed to include everything you need in a handheld camera so you can take it anywhere! Unlike cheap plastic cameras, the evenly weighted camera body is made out of a super tough magnesium alloy. It’s a true professional camera with full redundancy on every control, even the power switch! Plus, the familiar broadcast switches and controls allow full setting changes without having to take the camera off your shoulder! There’s an external high visibility backlit LCD status display so you can see critical shooting information, and a 4” foldout touch screen for reviewing shots. That means you don’t have to carry an extra on‑set monitor! You get professional connections such as 12G‑SDI, XLR audio, a built in high quality microphone and more. The optional electronic viewfinder and shoulder mount kit lets you go from tripod to handheld shooting in seconds, or you can turn URSA Mini Pro into the ultimate live production camera by adding an URSA Studio Viewfinder!
URSA Mini Pro G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 2, 4 and 6 stop filters have been specifically designed to match the colorimetry and color science of the camera, providing you with additional latitude, even under harsh lighting conditions. This lets you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. The IR filters have been designed to filter both optical wave lengths and IR wave lengths evenly to eliminate IR contamination of the images that most ND filters can suffer from. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. The filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!
Familiar Broadcast Control
Quickly change settings without taking the camera off your shoulder!
Like the world’s best broadcast cameras, URSA Mini Pro 4.6K G2 features independent controls for direct access to the most important camera settings. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. This means you’ll be able to adjust settings, add an ND filter or even change frame rate without having to fold out the touchscreen or take the camera off your shoulder.
Cinematic 4.6K Sensor
Capture incredible digital film images with 15 stops of dynamic range!
When it comes to image quality, URSA Mini Pro 4.6K G2 operates at a higher resolution and dynamic range that is well beyond traditional motion picture film! You get a 4.6K image sensor that captures up to 4608 x 2592 pixels, which is bigger than full size DCI 4K! The sensor features a massive 15 stops of dynamic range and support for up to 3200 ISO, making URSA Mini Pro G2 perfect for high dynamic range (HDR) projects. Built in active refrigeration ensures maximum dynamic range and low noise, so you get incredibly clean pictures with amazing detail in both the dark shadows and bright highlight areas. In addition, URSA Mini Pro 4.6K G2 supports high frame shooting at up to 300 frames per second and even better color fidelity! You can also choose the lower cost URSA Mini 4K model with 12 stops of dynamic range when you don’t need the performance and are on a tighter budget.